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Gone are the big rooms of flashing
lights and whirring tape machines. Today, post production is a computer
and some software. And, while anyone can buy it and read the book, Take
One comes from a 20 year history of treating post as the culmination of
a project. Beyond the sensibility and finesse of the edit, understand
how to make effects transparent, integrating what's real and what's not,
giving a project tempo and cadence, these are things that only editors
who started with razor blades can accomplish. And it does take some hardware.
That we have.
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